Short Fiction Work: Vellichor

I've had an idea for a short story tumbling around in my head for a while now, and finally got around to putting into print form. I'd love some feedback from anyone who's interested in giving it. Creative criticism is appreciated.

 

Vellichor


vellichor

n. the strange wistfulness of used bookstores, which are somehow infused with the passage of time—filled with thousands of old books you’ll never have time to read, each of which is itself locked in its own era, bound and dated and papered over like an old room the author abandoned years ago, a hidden annex littered with thoughts left just as they were on the day they were captured.



A bell chimed as the door swung open, a quiet, wistful echo off the panes of glass, that was quickly swallowed by the density of the books within. The sign in the window read "Vellichor - New & Used Books". A curious name, I thought. As the door swung shut behind me, the bell chimed once more, and a thin silence descended.

I glanced about. Towers of books filled the store, dense aisles of overladen shelves, many bowed and bent beneath the weight of so many volumes. The aisles themselves were filled with more books, stacked haphazardly about in towering spires. I hoped I didn't find a book I wanted on the bottom of such a stack.

The soft, vanilla like scents of old pages filled the air, mingling with the smells of ancient leather and old wood. A faint mustiness also lingered, just on the edges, barely there, but always present. Dust motes hung, suspended as if in the still atmosphere of space, glinting in the sunlight streaming through the windows behind me.

I began to make my way into the store, carefully threading my way through the teetering towers that littered the aisles. As I rounded the first monolith, I saw movement out of the corner of my eye, and saw a withered, frail old man hunched over a desk in the corner. He looked up at me then, from the pages of a thick tome, his hand holding an old fountain pen, and smiled.

"Good morning my friend" he said, in a deep, quiet voice. "Not many visitors in here these days. Do you need any help finding something?"

"No," I replied, my own voice seeming muffled by the weight of the books around me. "I'm only browsing. Hoping to find some time to myself, I'm only in town for a funeral."

"Ah," he said, "a relative of old Hilda?"

"She was my great aunt, yes, on my mother's side." I answered. "But the house is full of noisy cousins and well-wishers, and so I needed to get away for a bit. Did you know her?"

"She brought many a niece and nephew to my shop. A very giving woman. A shame they had to bury any empty casket. But I understand the need for peace and quiet all too well." he said, with a thin smile on his lips. "I'll leave you to the books then. Just be careful you don't get lost." He chuckled dryly. And with that he turned his gaze back to the page before him, his pen scratching ink onto the parchment.

I turned back into the depths of the store, and walked into the first row. I passed shelves marked romance, and poetry. Plays and politics. And as I did, I thought I heard faint whispering. I turned and looked about, and saw no one in the aisle with me. As I came out of the aisle, I peered to the right, around one heavy shelf, and saw nothing but more books before me, and to the left, a worn brick wall.

I shrugged, chalking it up to the ringing in my ears, a gift from the screaming of my sister's baby, and made my way up the next row. I'd found the history section, and the smell of old leather was thicker here, and the dust a little heavier. No one's looked at these books in years I thought to myself. But who could blame them? Who wants to read about the treaty that marked the ending of the Peloponnesian War, as the spine of one volume read.

As I came to end if the aisle, back towards the storefront again, I thought I heard the whispering again. I looked towards the old shopkeep, thinking perhaps he was quietly reading aloud to himself, but no, his lips were still. Be looked up at me, and I suppose seeing the perplexed look of my face, asked if I was having any trouble finding anything.

"No, I just thought I heard someone talking is all, but it seems it's just the two of us here."

He squinted at me over his thin glasses, and I felt like he was taking my measure, looking into the very core of my being, the sort of look only the old and very wise possess.

"Must be the air ducts," he murmured, still peering at me. "They've been noisy this winter. Old building, you understand."

"That must be it," I replied, my curiosity satisfied for the moment, as I heard the faint rumble of a heater kick in from somewhere below.

The old man nodded, and turned back to his writing. His pen making scratching sounds across the page. I felt the weight of his gaze lift from my soul, and shook my head to clear it.

I turned back into the stacks, heading down the next row over, the one marked 'Science Fiction'. Countless paperbacks lined these shelves, many worn, spines cracked, pages yellowed. These books had been well loved, but now sat abandoned, lost to time and space. My eyes drifted across the spines and covers, and the names of such titans of science fiction as Asimov, Dick, Heinlein, and Clarke jumped out at me. I'd always loved sci-fi, the stories and themes, the wild, crazy universes and the rich philosophy. It always seemed that anything was possible in science fiction, and I loved the fantastical elements of the genre.

I continued down the row, into the biography section near the back of the shop. I stopped and looked up at the names on the covers. I didn't recognize any of them at first, and thought it a little odd not see the familiar names usually gracing the covers of biographies: Lincoln, Hendrix, Hepburn, Cobain. Movie stars, politicians, rock stars, those were the people who's lives usually resided here. The names here seemed more common, and yet, mysterious.

I picked one book, and turned it over in my hand. The Life of Walter Tinte: 1897-1964. The description on the back sounded like the life of a regular man, not someone who'd have a biography written about them. The same could be said of the next several books I picked up as well. They all bore the name of the same author as well, someone named Grant Schreiber. The faint whisper of the air ducts seemed louder here, and I almost thought I could make out words, like the murmur of a crowded space. I looked around, expecting to find an grate nearby, but couldn't see one. I saw a name that caught my eye on the shelf, The Story of Hilda Barnes: 1943-2016. The name of my great aunt. The dates were the same as those of her birth and death. Curious, I cracked open the pages of the biography, and suddenly screaming filled the air, raw and filled with terror. I dropped the book, and it shut with a dull thud on the worn wooden floor.

Panicked, I backed away from the shelf, and bumped into a stack of paperbacks, toppling them and myself to the floor. More screaming rang out through the shop, cries of fear and pain, as pages were thrown open across the floor. I scrambled on my hands and knees to slam them shut, to stop the noise, so loud and terrible. As I turned to reach for the last one, thankfully closed already, my hand landed on the cover, a strong, leathery old hand settled over mine, and I looked up into the eyes of the old shopkeeper.

"Looking for a biography? He asked, a sad, pained look crossing his face, as he sighed out the words.

"Did you hear that? The screaming?" I asked him, panic creeping into my voice, shrill and loud.

"I've heard them all my dear," The old man said gently. "After all, I wrote them. Rather hard to write a biography without hearing someone's life story beforehand. Perhaps you'd like to share yours?"

The Road by Cormac McCarthy

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

Cormac McCarthy's The Road is one of my favourite books. It is beautiful, full of incredible language and powerful, stark imagery, and yet at the same time, full of terror, heartache, and the most disgusting depths of humanity. I read The Road  a couple years ago, over the span of a week, during a particularly dreary Vancouver fall. I will never read this book again.

That's not to say that I didn't enjoy the The Road, I most certainly did. It's just that the essence of what makes this book so powerful to me lies in the first read. A favourite author of mine, Patrick Rothfuss, has said (and I'm paraphrasing here) that you only get one first read, and it's precious. And I agree with him on that point. He then continues to say that the second read, the informed read, reveals new truths and elements to a book that weren't apparent on the first read. And again, I agree with him. However, I think some books can only be read once, the power that lies in that first read is so tangible, so real, that it simply cannot be recreated. The Road is one such book, at least to me. I loved every page, every word of this book, I struggled to put this book down, and yet I don't ever plan on opening it's pages for a second reading.

If you've never read a McCarthy novel, you should know that he doesn't really write what I would call happy books. Having read several of his works, I can say I've never finished one of his books and found myself uplifted or happy at the end. If you have read his work before, you know what I'm taking about. Upon finishing this book I found myself feeling exposed, like and open wound, with raw emotion laying on the surface of my being as I closed the back cover of the book and set it aside. The Road brought me to tears, and left me in a daze for several hours.

The book is essentially summed up by the back cover text written above, and needs no further summary. It's a classic McCarthy novel, full of his signature barebones, stark prose and incredible storytelling, but I think this might be McCarthy at his best. Not a single word felt out of place or extraneous, this is a meticulously crafted piece of art. For example:

Listen to me, he said, when your dreams are of some world that never was or some world that never will be, and you're happy again, then you'll have given up. Do you understand? And you can't give up, I won't let you.

Not exactly a joyous piece of prose, but incredibly powerful in the context of the themes of the novel. And yet within this quote lies one of the most central themes of The Road, the power of love to triumph in the face of adversity. The very world in which the father and the son live in this novel is adversity incarnate, it's a hostile world, inhabited by hostile people. No food grows, for nothing grows anymore in this grey and desolate world, all that's left is all that's left. Life itself holds on desperately in the form of the people still left on this world, and this desperate struggle is embodied no better than in the bond between a father and his son. With a furious love this father fights to ensure his son's survival, even as the world around them works with such apathy to kill them. During one of the most intense, visceral and frankly horrifying moments of the novel, the father says to the son: 

My job is to take care of you. I was appointed to do that by God. I will kill anyone who touches you. Do you understand?

Such is the love of the father for his son, he will, and does, kill to protect his boy. The contradiction of love and extreme violence, the idea that such beauty stems from the same place as such terrible violence is one that reoccurs throughout The Road. The father resorts often to violence to protect his son, and yet the son never once makes a violent action or has a violent thought, as his father seeks to protect his innocence through bloodshed if necessary.

He knew only that his child was his warrant. He said: If he is not the word of God God never spoke.

The boy seems to be the embodiment of pure, unsullied goodness, untainted by blood, a Christ-like figure, even as his father's hands are stained by it. Such a contrast of unbridled good, innocent love, of light itself, against the dark, bloodstained darkness of violent passion and unconstrained desperate love is incredibly beautiful, and shows McCarthy at his best.

You have my whole heart. You always did.

The Road is an incredible book, and one I would urge any lover of literature to read, even if only once. This is a book that will at once show you the power of love to triumph in the face of fear and death, and the bleak existential hopelessness of the human condition.

If only my heart were stone.

Purpose

I'm hoping to start reviewing books that I've read - as opposed to all the books I reviewed in high school that I didn't read. I could do this on Goodreads, but rather than have my thoughts strewn about the internet, I decided to gather them all together here in one website.

I'll just be posting about my personal thoughts on the books content, it's thesis and themes, as well any criticisms I may have of the books I read. I'll have comments enabled on these posts, so please, feel free to leave your own thoughts either on the books themselves, or on the reviews.

 

- Ryan

Currently Reading:

  • Snow Crash by Neal Stephenson
  • Leviathan Wakes by James S.A. Corey
  • Blood Meridian by Cormac McCarthy